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Questions About High and Low Pass Filters
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Harrison486
- Junior Member
- Posts: 29
- Joined: Tue Apr 19, 2005 6:41 am
Questions About High and Low Pass Filters
Hey guys! Whats going on? I am going to be installing my first sub and amp soon, and I have a few general questions about the use of high and low pass filters. First off, my sub is a 12" Kicker CompVR. It has a frequency range of 25-500 Hz.
1) My amp has a LPF. What should I set it at?
2) My head-unit also has a LPF for subwoofer output? Should i use it or turn it off? It has settings of 50 hz, 80 hz, and 125 hz.
3) My head-unit has a HPF for my 4 speakers. The options are off, 50 hz, 80 hz, or 125 hz. When I install my subs, how should I have this set? Should it directly cut between the sub and my speakers (for example have the LPF for the sub set at 125 and the HPF for speakers at 125) or should there be some overlap?
1) My amp has a LPF. What should I set it at?
2) My head-unit also has a LPF for subwoofer output? Should i use it or turn it off? It has settings of 50 hz, 80 hz, and 125 hz.
3) My head-unit has a HPF for my 4 speakers. The options are off, 50 hz, 80 hz, or 125 hz. When I install my subs, how should I have this set? Should it directly cut between the sub and my speakers (for example have the LPF for the sub set at 125 and the HPF for speakers at 125) or should there be some overlap?
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Justin from Detroit1
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- Location: Detroit
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Harrison486
- Junior Member
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- Joined: Tue Apr 19, 2005 6:41 am
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Ryan from Ohio
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When you set a crossover it just does not magically hold all frequencies beyond that point. It actually fades them out. Dependeant on the type of crossover it is this amount can vary.
So roll off is this area where the frequencies are beyond the set filter and they decrease in volume accordingly.
So roll off is this area where the frequencies are beyond the set filter and they decrease in volume accordingly.
-Ryan
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I'd just set the lowpass at 80 and try different highpass settings til it sounds good. Depending on the speaker/mounting your mids may already have a frequency response that rolls off substantially to 80 hz. The nice thing about going with 125 Hz or higher is that it will put slightly less demands on your deck's amp so it may sound better at higher volumes.
Using both lowpass filters will give you a steeper rolloff. I'd set the amp at 80 and again experiment with the deck's lowpass filter. If you limit the lowpass frequency for both to 80 Hz there's not really that many different combinations to try. It should be pretty easy to figure out which sounds the best and thats really all that counts.
-Fishy
Using both lowpass filters will give you a steeper rolloff. I'd set the amp at 80 and again experiment with the deck's lowpass filter. If you limit the lowpass frequency for both to 80 Hz there's not really that many different combinations to try. It should be pretty easy to figure out which sounds the best and thats really all that counts.
-Fishy
- GlassWolf
- Master of My Domain
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read this
http://www.bcae1.com/xovrslop.htm
crossovers aren't brick-wall filters. the frequency you set the XO for is the point where the volume will begin to gradually decrease as the frequency rises or lowers (LPF or HPF). Use the head unit crossovers for everything. you should be able to set the slope or "Q" as well as XO frequency.
I'd set LPF to 80Hz 18dB slope, and HPF to 125Hz 12dB slope
a 12dB slope means that every octave (half or double the frequency) the volume will decrease by 12dB, or approximately 1/4 the volume.
so 80Hz LPF 18dB slope means at 80Hz it's full volume. at 160Hz, the volume is -18dB quieter. At 320Hz, the volume drops another -18dB..
that's why you leave a gap. both the midrange and the sub will gradually fade off in volume as the frequency changes, so the two "slopes" will meet up and fill in that gap.
nothing lost.
http://www.bcae1.com/xovrslop.htm
crossovers aren't brick-wall filters. the frequency you set the XO for is the point where the volume will begin to gradually decrease as the frequency rises or lowers (LPF or HPF). Use the head unit crossovers for everything. you should be able to set the slope or "Q" as well as XO frequency.
I'd set LPF to 80Hz 18dB slope, and HPF to 125Hz 12dB slope
a 12dB slope means that every octave (half or double the frequency) the volume will decrease by 12dB, or approximately 1/4 the volume.
so 80Hz LPF 18dB slope means at 80Hz it's full volume. at 160Hz, the volume is -18dB quieter. At 320Hz, the volume drops another -18dB..
that's why you leave a gap. both the midrange and the sub will gradually fade off in volume as the frequency changes, so the two "slopes" will meet up and fill in that gap.
nothing lost.

GlassWolf (aka KikiTheCat)
moderator-administrator
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Harrison486
- Junior Member
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- Joined: Tue Apr 19, 2005 6:41 am
Yeah, I know the less expensive Alpines are limited to 12 dB/octave slopes as well. Regardless, play with it, but it probably will sound best with lowpass @ 80 Hz and highpass at 125. I had an old Soundstream DX5 Xover that had a 24 dB/oct lowpass and a 6 dB/oct highpass. My A/D/S 5 1/4's blended real well with my 10w5's with the highpass at 150 and lowpass at 80.
-Fishy
-Fishy