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Posted: Fri Jan 20, 2006 2:11 pm
by audiobass10
sinister audio wrote:ya alot of subs when they get past certain amount of xmax the distortion goes through the roof. also why would you need an SQ sub to have 5" of xmax?
Exactly, but with that being said..what were the goals of JL with the W7, RE with the XXX, Diamond with the TDX...etc. etc? Seems to me they tried to design a long throw high output woofer with very nice SQ..and I think they did a good job of it. :D Let's face it, there aren't many true SQ'ers out there. The majority of the market is after SPL, or a mix of SPL and SQ.

Posted: Fri Jan 20, 2006 3:24 pm
by racerraul
Jonathan wrote:"Because, i've also heard many say the W6v2 is more of an SQ sub than the W7."

That's because low x-max subs sound BETTER. *waits to get flamed*
X2...
Not that I want to pick curtains or anything... :bigwink:
Truthfully, though, the XXX, Brahma, W7 aren't really the best SQ subs IMO. I've been more impressed with W6v2s, IDQs, Dynaudio and SEAS Lotus offerings for SQ purposes.
I've not heard Brahmas or XXX in a SQ setup (Only SPL cars) but I can tell you, that the W7, TDX & Alpine Type-X maintain great composure well into insane output levels... well that is up to the point I said, "screw this I'm getting out"... cause honestly... who can stand that much pressure & still say "Oh gee it sounds great... the best ever..."

Yeah right.. I can't... it becomes physically impossible after about 140dbs for me...

Posted: Fri Jan 20, 2006 3:35 pm
by JeremyC
The only complaint I have with the W7, (the XXX and most others have the same problem) is the Sq at higher freqs. Say the 80 to 60 herts range. At and below 60 it performs wonderfully, but if you try crossing it over anywhere higher, or at to low a slope it tends to sound pretty muddy.

Now I do like it better after my hushmat experment, and I think I will be even more impressed once I get it in a bigger box.

Posted: Fri Jan 20, 2006 3:36 pm
by geolemon
sinister audio wrote:i almost had a 12" tdx for 200 bucks but the guy decided not to sell it to me. it would of been a nice sub for my crap car.
Actually, if you are interested, I think we do...
We discontinued Diamond, and now have... a lot of inventory. not so much Diamond, but we discontinued a bunch of stuff, in favor of picking up RF and Kicker - audiobahn, fusion, clif designs, diamond (they actually left us high and dry with a prominent customer, so we left them)...
I think we've got a storage unit full of about $50K/cost in product. :argh

Anyway - I'd sell you a TDX if we have one.
got spare $50K on you, by chance? :p

Posted: Fri Jan 20, 2006 3:47 pm
by sinister audio
ill have to think about that TDX that would be a kick ass deal. i am glad to see you got rid of abahn though it was really hard to see you associated with abahn but it sucks for the diamond though. i dont know about RF being a good choice but its name sells. im sure raul would probaly pick up that tdx if i didnt want it.

and i dont even have 50 grand into my store so i dont think i could bring that much products in especially since im not a dealer for that stuff. theres always ebay though.

Posted: Fri Jan 20, 2006 4:00 pm
by geolemon
As far as SQ goes - excursion plays two roles, and usually subs DO get more distorted with higher output.

Two roles:
1) more output, this holds true for sealed OR vented boxes, btw. Higher cone excursion means higher dB, regardless of enclosure. ;)
2) lower frequencies. Sub excursion increases at roughly a rate of 2x/octave (just a little bit more, seems to be - rolls off on the high frequency end, and gets damped down again in the low frequencies if your enclosure is small ;) ) as the frequencies get lower.

So, if you want to play lower notes than anyone else - you need a higher excursion sub.
And if you want to play a single-sub louder than anyone else - you need a higher excursion sub.
And if you want to play "the low stuff" "loud" - obviously, you need a high excursion sub. :D

I'm really surprised regarding the comments about the Brahma operating at higher frequencies...
Granted, XBL^2 is designed to reduce distortions (intermodulation of BL being the most audible distortion component with traditional speakers ;) ), and increase excursion capabilities at the same time...
...but a nice side-effect is a reduction in inductance as well, since the coil used happens to be smaller than usual.
Which helps higher frequency response. ;)

As an XBL^2 adopter and licensee, Brahma and XXX owner, I've never had any issues with it - in fact, I've run the thing like a PA speaker and had fun with parties! :D

Granted, it doesn't theoretically completely cancel-out inductance like JBL's DDD dual-gap technology does - but that's one pricey beast there, without nearly the excursion advantage of the Brahma.
(one of my friends worked on the DDD design, in fact. I always thought that was a cool technology - yet you never see that one being discussed!)

I mean, you definitely reach a point (as you do with any speaker) where the pure cone size starts causing beaming... wavelengths smaller than the cone, etc. and maybe the Brahma has some cone resonances (I've never listened in that sense- using it as a midrange was just for my amusement- does it better than I'd expect most subs, though).

After all, it IS a subwoofer. :D
But speed and transient response definitely aren't an issue for one of these subs, and that's not far off from "high frequency response" explicitly - save for pure cone-size issues, which really aren't an issue for a sub. ;)

Posted: Fri Jan 20, 2006 4:03 pm
by geolemon
sinister audio wrote:ill have to think about that TDX that would be a kick ass deal. i am glad to see you got rid of abahn though it was really hard to see you associated with abahn but it sucks for the diamond though. i dont know about RF being a good choice but its name sells. im sure raul would probaly pick up that tdx if i didnt want it.
and i dont even have 50 grand into my store so i dont think i could bring that much products in especially since im not a dealer for that stuff. theres always ebay though.
My guess is that is where it's going to land. I'm not going to Ebay it though... it took forever to itemize it!
We'll probably do it through a third-party.

The Diamond thing was surprising - and it was shocking to us too. Diamond D7 amplifiers, they left us high and dry with a failure caused by defect. Grr...

Posted: Fri Jan 20, 2006 7:00 pm
by Jonathan
The main things that limit the Brahma/XXX are the soft parts. It isn't the best suspension design or cone assembly. XBL^2 isn't what hinders the high frequency performance of the subwoofer, really I'd say that's the one thing that really makes the sub shine.

While XBL^2, W7 technology, JBL DDD technology, and others lessen the negative side effects (note I didn't say totally removes them), they still carry some characteristics of high excursion subs. A couple of things I've noticed in nearly every high excursion sub:

Long voice coils produce a really nasty lower midrange spike. This isn't completely taken away even with a 4th order crossover, and even if it were completely cut off, it would still show up with 3rd order distortion. The subs tend to be a bit more localizable due to this. Inductance is higher. Motor topologies can aid this, but take that same motor and cut the excursion and watch inductance benefits follow. But, an inductance measure is different from an Le distortion. High excursion subs suffer from Le distortion (changing inductance with coil motion in relation to the gap) more so than smaller stroke drivers.

From a mechanical standpoint, high excursion subs have more mechanical noise from surrounds, lead slap, air noise from rear ports, or whatever else applies based on driver design. You also have surrounds that can either dimple at high excursions and cause distortion and noise (ID Max), or you have thick, stiff surrounds to prevent this (pretty much everything else) and consequently drive up Fs in the process and hinder the driver in low frequency extension.

Posted: Fri Jan 20, 2006 7:02 pm
by Jonathan
But I agree with the above. Most aren't after a purist SQ application, and with their intended volume level, they would be happier with the performance of a higher excursion sub.

Posted: Fri Jan 20, 2006 8:04 pm
by geolemon
Jonathan wrote:The main things that limit the Brahma/XXX are the soft parts. It isn't the best suspension design or cone assembly. XBL^2 isn't what hinders the high frequency performance of the subwoofer, really I'd say that's the one thing that really makes the sub shine.
I don't see what you are referring to, truthfully.

Take a look at it's DUMAX measurements:
http://www.adireaudio.com/Files/DUMAX/BrahmaDumax.pdf

The nice thing about DUMAX (and Klippel) is that they measure the sub... not so much dynamically (as Klippel can), but across excursion, and in both directions.

If you look at the KMS curve (suspension stiffness), you'll see that the suspension has a very linear suspension, right out virtually as far as the sub's linear excursion capabilities - and very nearly to the sub's mechanical Xmech limits - where it then stiffens dramatically.

And the cone assembly is very rigid paper - which has basically the best stiffness to mass ratios, as well as the greatest self-damping characteristics.

Oddly enough:
Long voice coils produce a really nasty lower midrange spike. This isn't completely taken away even with a 4th order crossover, and even if it were completely cut off, it would still show up with 3rd order distortion. The subs tend to be a bit more localizable due to this. Inductance is higher. Motor topologies can aid this, but take that same motor and cut the excursion and watch inductance benefits follow. But, an inductance measure is different from an Le distortion. High excursion subs suffer from Le distortion (changing inductance with coil motion in relation to the gap) more so than smaller stroke drivers.
...what you are describing are the traditional downsides of a LGLC overhung subwoofer.
And XBL^2 (and DDD as well!) have coil lengths that are smaller - significantly smaller. Granted, not so small that we're in underhung territory, but small enough to be comparable to subs having at least a full order of magnitude lower excursion - and those subs still wouldn't have the distortion reduction of a flat BL curve - those subs would in many ways suffer MORE from intermodulation distortion, because the intermodulation of BL would come on sooner.

There's a huge difference in listening - and one that many people are a bit hesitant about liking, because it's so different than everything else.
It doesn't sound as violent, it sounds much more effortless, than listening to a comparable sub. It doesn't necessarily sound as "big" at the same dB levels as other subs - because of that reduction in distortion.

Based on what you are describing however, all these things are what should lead you TO a design like the Brahma, and AWAY from an overhung architecture. ]From a mechanical standpoint, high excursion subs have more mechanical noise from surrounds, lead slap, air noise from rear ports, or whatever else applies based on driver design. You also have surrounds that can either dimple at high excursions and cause distortion and noise (ID Max), or you have thick, stiff surrounds to prevent this (pretty much everything else) and consequently drive up Fs in the process and hinder the driver in low frequency extension.[/QUOTE]Fs is always a balancing act.
No one wants a soggy surround... and it helps keep the cone assembly linear in motion as well if it's stiffer, and minimizes those distortions of the surround you mention. All of that is a good thing.

A higher Fs isn't a bad thing either. Everything is good in moderation. ;)

With a design like the Brahma, a few things to note:

Traditional trade-offs with traditional architectures - optimizing a sub for sealed boxes (low Fs, low BL, high Qes, Qts) makes it bad in vented enclosures.
Optimizing a sub for vented enclosures (higher Fs, higher BL, low Qes, Qts) makes the sub a poor performer in sealed enclosures.
Optimizing a sub for neither... I mean "both" :rolleyes: means the sub is a compromised design that works ideally in neither, really... just OK.

Look at what XBL^2 does for that...
Since BL doesn't roll off with excursion (as all traditional design assumptions take into account with traditional subs), the sub behaves better in vented enclosures than it's middle-of-the-road Qts would indicate - it's stronger, if you look at BL in terms of an average across excursion, in operation. Other subs, BL falls off as excursion increases. This has always had to be taken into account.
Not so with XBL^2, so realistically, the motor can control that cone despite the extra pressure forces inside a vented box much better than a traditional sub - even one with a higher BL, and lower Qes and Qts. ;)

And in the same regard, the Fs isn't high either - it's also "middle of the road", so the sub will extend well in sealed boxes - how low do you need it to extend in a sealed box? This sub IS intended for autosound use, right? ;)
When you couple the roll-off of the sub/box with the rising boost you get from cabin gain, having the absolute lowest Fs is really no service to you at all... Lowering Fs typically comes at the expense of efficiency, as well.
In terms of other performance parameters, excursion is superior - so you can brute-force loudness, and can brute-force lowness as well, even in sealed enclosures. ;)

All I'm saying is...
...it's ironic that you are saying you are somehow opposed to high-excursion subs to me, based on your complaints!

Sounds to me like you just need to take a step back from the IDmax's and W7's on the market. ;)

(you might even note JL's sneaky little trick with the pole vent cross drilling? If you played around with some Finite Element Magnetic Modelling, you'd even see it has a mild effect on the magnetic field forces in it's tall gap - creating almost a watered-down XBL^2 effect ;) Didn't notice that before? :D )

Now that I'm done explaining why I'm confused... :tongue017