by GlassWolf » Fri Mar 31, 2006 9:33 am
ok that I can follow!
I'd go with a single resonant engineering SE 12" sub. It'd kick the snot out of both the treo and kicker for overall performance in my opinion, for around $200-250.
Stick it in a sealed fiberglassed enclosure for a custom look, very tight, deep response, and minimal space used.
For components, this will depend on budget, but $150 is a bit shallow for a good front stage. May want to bump that up a bit to around 250-300. The front stage is vital to a good overall system
.
SEAS lotus, DLS, JL audio XR, focal perhaps.. lots of great comp sets in that size worth looking at.
Do you like a more "bright" aggressive sound from your vocals and treble, or do you want a smoother, more laid back sort of response?
JL will give you the brighter sound, where SEAS would be more smooth and silky by comparison.
I prefer the smoother sounding comps myself, for jazz and detailed or complex passages in classical/baroque, pink floyd, tori amos' piano work, and so forth.
ok that I can follow!
I'd go with a single resonant engineering SE 12" sub. It'd kick the snot out of both the treo and kicker for overall performance in my opinion, for around $200-250.
Stick it in a sealed fiberglassed enclosure for a custom look, very tight, deep response, and minimal space used.
For components, this will depend on budget, but $150 is a bit shallow for a good front stage. May want to bump that up a bit to around 250-300. The front stage is vital to a good overall system
.
SEAS lotus, DLS, JL audio XR, focal perhaps.. lots of great comp sets in that size worth looking at.
Do you like a more "bright" aggressive sound from your vocals and treble, or do you want a smoother, more laid back sort of response?
JL will give you the brighter sound, where SEAS would be more smooth and silky by comparison.
I prefer the smoother sounding comps myself, for jazz and detailed or complex passages in classical/baroque, pink floyd, tori amos' piano work, and so forth.