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How a Speaker Works

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Topic review
   

Expand view Topic review: How a Speaker Works

by solacedagony » Mon Mar 13, 2006 8:33 am

Yea, I bookmarked that one as soon as I opened it.

by Jonathan » Sun Mar 12, 2006 10:18 pm

geolemon wrote:That last link is awesome, there...
I could find 10 threads a day to link people to, for various information you always see people asking for, day after day...
...well, on other forums, anyway. You know. :D
Yeah, I was a little giddy when I found that one :D Tons of typing saved there :fing02: If we had sites like that in the 80s I would have saved myself a ton of reading.

by geolemon » Sun Mar 12, 2006 8:45 pm

Jonathan wrote:This page in general describes speaker operation and has a lot of cutaways. A lot of it is in relation to system design, but the basics are on there, too. Lots of good stuff on that website, links to other tutorials are on the left if you want them for future reference.

http://www.lenardaudio.com/education/05_speakers.html
That last link is awesome, there...

I could find 10 threads a day to link people to, for various information you always see people asking for, day after day...

...well, on other forums, anyway. You know. :D

by Jonathan » Sat Mar 11, 2006 3:12 pm

This page in general describes speaker operation and has a lot of cutaways. A lot of it is in relation to system design, but the basics are on there, too. Lots of good stuff on that website, links to other tutorials are on the left if you want them for future reference.

http://www.lenardaudio.com/education/05_speakers.html

by Jonathan » Sat Mar 11, 2006 3:03 pm

http://www.lenardaudio.com/education/a05_speaker.gif

This image may help you a little more, it's zoomed in further and a bit simpler. Color coded, too :D

by solacedagony » Fri Mar 10, 2006 12:19 pm

Thanks a ton! English defiantely isn't my forte, so this helps!
I was actually thinking of the analogy of the ear working just like a microphone, originally, but I never thought a speaker could be one if you just hooked it up "in reverse", nor did it cross my mind! This thread, and all the websites I've been reading on help opened my mind up so much in a more general way of how this stuff works. Makes me even more interested in pursuing some type of engineering, or chemistry, in school.

by geolemon » Fri Mar 10, 2006 7:26 am

solacedagony wrote:Actually, this paper is more specifically aimed at how the speaker actually works, what makes it tick, but I'm also adding basic detail on some history of speakers that I found, and also hearing and soundwaves incase the common person didn't know how those worked. I also want to add a little bit on top of that about how enclosures affect them.
Since you are going to be speaking in terms of "converting an electrical signal into sound energy" in discussing how a speaker works - you might make an analogy of the ear, compared to a microphone.

Why?

You can make the point that any electrical motor operated in reverse becomes an electrical generator...
...and therefore, make the point that a speaker is also a microphone. ;)

Both have a diaphragm that vibrates when the sound pressure energy in the air stimulates it, and convert the sound energy into an electrical signal.

The ear doesn't have a coil of wire or a magnetic field - it uses it's own means - but the analogy is there.

And most often, microphones use other, more efficient, more broad-band technologies than a voice coil motor... but that's more akin to the laundry-list of alternative speaker technologies that exist out there as well - many ways to make a microphone, but this certainly is one.

If you operated a speaker "in reverse", by hooking it's terminals up to a recording device, you'd see that you could make a recording.

The sound energy stimulates the cone into motion, and the coil of wire begins moving in the magnetic field - generating electricity, with a waveform that emulates the motion of the cone - emulates the sound striking the cone.

Cool, no? :D

Of course, a speaker is designed for high excursion, to produce sound...
Sound energy wouldn't stimulate a cone to high excursion levels - so a microphone motor would be tweaked to be more efficient within the ultra-low excursion levels it would be encountering - and a mic like this would need a pretty big diaphragm, and an "enclosure" just like a speaker - but you can make an analogy in your paper!

I think it would be particularly appropriate in the scope of a paper - it shows a true understanding of the mechanics and mechanism you are trying to explain, and alternatives this mechanism is used for.

by solacedagony » Fri Mar 10, 2006 7:15 am

Yea I wanted that book anyway, after I saw the contents of it.

by solacedagony » Fri Mar 10, 2006 7:10 am

Actually, this paper is more specifically aimed at how the speaker actually works, what makes it tick, but I'm also adding basic detail on some history of speakers that I found, and also hearing and soundwaves incase the common person didn't know how those worked. I also want to add a little bit on top of that about how enclosures affect them.

by GlassWolf » Fri Mar 10, 2006 5:53 am

the gap is important (just to tie this together) because when the speaker is at near-limits of excursion, the coil can leave that magnetic gap without actually reaching Xmech (and thereby shredding itself or reaching mechanical limits.) When this does ocur (depending on speaker design.. XBL^2 limits this moreso than a typical overhung motor) the driver uses considerably more power with less control over the moving mass of the driver (if I recall correctly. I know amplifier design better than driver design details.)

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