It's not so much an issue of "the product used" - but rather conceptually, what do you want it to sound like?
Very, very often, that "SQ product" is actually more efficient (read: potentially louder) than a heavy-duty, high moving mass SPL sub with that stuff suspension and heavy duty sets of voice coil windings on it... that product is simply built to be abused, where a SQ customer wouldn't even be pushing his product near it's limits ever - it's more a function of what product suits the user's intents - it's not that the "SQ sub is limited in loudness".
It's as simple as this - SQ guys want the frequency response of their system to be equal all across the frequency spectrum, so that it plays recordings accurately and realistically - and that means you're only talking about 110dB, 120dB levels... maybe 130dB - and at that point, you are truly talking about "rock concert" sound levels - if your WHOLE SYSTEM can reach those output levels, you could actually damage your hearing!
On the other hand, the basshead is looking to build a system that has a frequency response that's way exaggerated on the bottom end... how many systems have you heard that have had multiple subs, ported boxes, thousands of watts of power to the subs... and then a pair of coax's (or even factory speakers) running off the HU?
...probably couldn't even break 110dB without tremendous distortion and breakup across eight entire upper octaves... but from 80hz and down, the car is capable of hitting in the 140dB range.

THAT is the difference between SQ and SPL, primarily - not the product.
I would add that typically SQ guys like sealed boxes, because they have a smoother response, that rolls-off earlier, which combines well with the car's cabin gain to yield an overall "flat response".
...sealed boxes work better with subs that are designed with lower resonant frequencies, and lower motor strength, so as not to be overdamped and sound dull.
...ported boxes work better with subs that have high motor strength (the sub must "fight" it's way through the increased pressure forces inside a ported box due to the air mass moving in the port - hence also why ported boxes are larger than sealed ones), and resonant frequency can be higher, since you could always use your port tuning to extend frequency response lower.
Without that alignment, the sub can sound ugly and boomy, not having the control to battle those slightly-out-of-phase pressure forces - I'm sure you've heard bad ported setups before.
So that is ONE consideration with respect to the product differences...
...but the rest of them are more tweaky than fundamental.
I could take an SQ sub and make it hit big numbers, and I could take an SPL sub and use it within it's limits to yield at least a decent SQ system type of sound.

It's not so much an issue of "the product used" - but rather conceptually, what do you want it to sound like?
Very, very often, that "SQ product" is actually more efficient (read: potentially louder) than a heavy-duty, high moving mass SPL sub with that stuff suspension and heavy duty sets of voice coil windings on it... that product is simply built to be abused, where a SQ customer wouldn't even be pushing his product near it's limits ever - it's more a function of what product suits the user's intents - it's not that the "SQ sub is limited in loudness". ;)
It's as simple as this - SQ guys want the frequency response of their system to be equal all across the frequency spectrum, so that it plays recordings accurately and realistically - and that means you're only talking about 110dB, 120dB levels... maybe 130dB - and at that point, you are truly talking about "rock concert" sound levels - if your WHOLE SYSTEM can reach those output levels, you could actually damage your hearing! :eek:
On the other hand, the basshead is looking to build a system that has a frequency response that's way exaggerated on the bottom end... how many systems have you heard that have had multiple subs, ported boxes, thousands of watts of power to the subs... and then a pair of coax's (or even factory speakers) running off the HU?
...probably couldn't even break 110dB without tremendous distortion and breakup across eight entire upper octaves... but from 80hz and down, the car is capable of hitting in the 140dB range. :p
THAT is the difference between SQ and SPL, primarily - not the product.
I would add that typically SQ guys like sealed boxes, because they have a smoother response, that rolls-off earlier, which combines well with the car's cabin gain to yield an overall "flat response".
...sealed boxes work better with subs that are designed with lower resonant frequencies, and lower motor strength, so as not to be overdamped and sound dull.
...ported boxes work better with subs that have high motor strength (the sub must "fight" it's way through the increased pressure forces inside a ported box due to the air mass moving in the port - hence also why ported boxes are larger than sealed ones), and resonant frequency can be higher, since you could always use your port tuning to extend frequency response lower.
Without that alignment, the sub can sound ugly and boomy, not having the control to battle those slightly-out-of-phase pressure forces - I'm sure you've heard bad ported setups before. ;)
So that is ONE consideration with respect to the product differences...
...but the rest of them are more tweaky than fundamental.
I could take an SQ sub and make it hit big numbers, and I could take an SPL sub and use it within it's limits to yield at least a decent SQ system type of sound. :cool: